I could write more about Sea Otter but pictures are way better than words. Enjoy the partly random, partly happy snaps along the way!
It was a rainy winter. Or maybe it was a regular winter, and the past two winters had been so dry that I wasn’t ready for it. But the upshot was the same: hastened by the permeability of the shed behind my house, my road bike developed a nasty cold.
It’s my fault, really; I didn’t take good enough care of it. I kept it clean, sure, but I took it for granted. And when the tickle in its sinus began, the shifting got little wonky. It’s January, I told myself. The shop’ll take forever. So I wiped the bike down instead, and gave it some new tires. Then it got sluggish, and I dropped the chain going down to the little ring. I’ll bring it to in this week, I told myself. It’s the right thing to do. So I wiped the bike down instead, and made sure the chain was lubed.
But then, toward the end of a Sunday spin last weekend, my rear shifter cable gave up the ghost. Just…snapped. Somewhere up inside the brake hoods where mortals dare not tread. I pulled it out of the derailleur, stuck the housing in my pocket, and rode the last five miles on a singlespeed, 82 gear inches into a bitch of a headwind, cursing my negligence with every mash.
Now, my bike is out of commission until the shop can get to it—which happens to be eight days from now. All of this is to say, don’t be like me. But that’s obvious. So it’s also to say that while you might not even be aware of the rhythms that have developed between you and your steed, they exist, and they are sacred.
It’s plain when you jump on another bike for a ride. Climbs are guessing games, descents a gamble. It’s not like my backup bike is 30 pounds of creak, either. It’s more than sufficient, and it’s taken me through centuries and up mountains. It’s just not my real bike.
To be fair, it’s not like I knew my bike was my real bike when it first came into my life. My line of work allows me to ride a lot of different things, most of which are lighter than a loaf of bread and all of which are thoroughly above my pay grade. That’s a wonderful thing, but it’s also given me an almost monastic aversion to the idea of bike permanence. So the first thing I thought when I saw my bike was “I guess bikes are murdered out now.” Specialized’s Roubaix line of Classics/endurance rides has been around for more than a decade, but 2013 was the first year it was available in stunning black on black.
It was also the first year the company had married the idea of comfort with its SL4 top-tier frame—so while my first impression was visual, my second was “smooooooth.” That wasn’t a thought, it was an actual involuntary utterance when I hit a chattery stretch of road. (And in Oakland, “chattery” is close to the best you can hope for until you get to the blacktop up in the hills.)
Everything about it was perfect, but subtle. Dura-Ace, but not digital. An 11-speed cassette that got me up just about anything, and Zertz dampers that let my legs feel the road without my…other parts feeling the road. Brakes that I trusted, on in-house wheels that were light without leaving me vulnerable to crosswinds. It didn’t jump off the line, but it didn’t need to—it got there fast, and it gave back to the road everything that I put into it. It made me stronger. Faster. And now it’s gone.
Look, yeah, I get it. It’s not gone forever. I’ll be back on it in a week. But mark my words: I’ll never take it for granted again. Q-tip was right: Joni Mitchell never lied.